Sean Penn sparks outrage with cigarette smoking on stage at film festival

In Morocco, at the 2024 Marrakech International Film Festival, Sean Penn, aged 64, participated in an event honoring his career with screenings of four of his films. Penn took to the stage in a smart casual outfit that included a black blazer over a white t-shirt, paired with dark grey trousers and chunky white trainers. During the event, he was photographed smoking a cigarette while speaking alongside Nashen Moodley, the festival director. The festival has garnered recognition since its inception in 2001, attracting prominent figures in the film industry and establishing Morocco as a significant location for international productions. Sean's most recent public remarks included a strong critique of the Academy Awards, particularly regarding the exclusion of films like The Apprentice, which offers a controversial portrayal of Donald Trump. He delivered these comments at a press conference on Tuesday, expressing disappointment with the Academy's decisions and labeling them as cowardly. This backlash follows a chain-smoking tirade where he defended The Apprentice, a biopic starring Sebastian Stan that has faced backlash from some Hollywood actors who have chosen to distance themselves from it. According to Stan, there’s apprehension within the acting community regarding the film due to its politically charged nature. Sean Penn articulated that the Academy's approach contributes to a restricted cinematic expression, pushing back against what he perceives as the narrowing of creative avenues available in film. He asserted that the exclusion of bold and unique narratives undermines the essence of artistic expression. While the Oscars haven’t released their nominations yet, there is a prevailing sentiment that The Apprentice will not receive any significant recognition, mirroring the industry’s hesitation to embrace contentious topics, particularly those involving public figures like Trump. The festival highlighted the tension surrounding entertainment and politics, particularly in the light of the narrative that The Apprentice perpetuates regarding former President Trump. It reflects broader societal and cultural responses to the sensitive nature of this subject matter. As the film industry grapples with its own internal controversies, Penn's outspoken stance at this festival serves as a rallying cry, encouraging filmmakers to take risks in storytelling and advocate for more inclusive representation in award selections. This event becomes more than just a celebration of Penn's body of work; it transforms into a platform for dialogue on artistic freedom and the responsibility of the film industry toward diverse narratives in the context of modern American politics.