Gemma Arterton shines in Nick Hornby’s 60s romcom in London
- The second season of 'Funny Woman' is being filmed in London, focusing on the challenges women faced in the 1960s comedy scene.
- Gemma Arterton, the lead actress, advocates for women's rights and better childcare in the industry while reflecting on her own experiences.
- The production fosters a fun and collaborative environment, with the potential for a third season indicating its success and relevance.
The filming of the second season of 'Funny Woman,' an adaptation of Nick Hornby’s novel 'Funny Girl,' is taking place in London, showcasing the challenges faced by women in a male-dominated comedy world during the 1960s. Gemma Arterton, who plays the lead role, reflects on her working-class roots and the struggles women like her character, Sophie, encounter in their pursuit of success. The production emphasizes the importance of humor and camaraderie among the cast, who often find it difficult to maintain composure while filming due to the comedic nature of the script. Arterton has been a vocal advocate for women's rights in the industry, participating in movements like #MeToo and Time’s Up, and has expressed the need for better childcare options for working mothers in the film industry. Despite the challenges, she remains optimistic about her career and the representation of women in film. The show’s narrative explores the complexities of Sophie’s relationships, particularly with Dennis, highlighting societal pressures and the stakes involved in their romance. The production has attracted notable comedic talent, contributing to a lively atmosphere on set. The cast members, including Whelan, who plays a journalist, bring their own experiences and backgrounds to the project, enriching the storytelling. The series aims to balance humor with serious themes, creating a relatable and entertaining portrayal of the era. As the show progresses, there are hints of a potential third season, indicating a positive reception and a desire to continue exploring Sophie’s journey in the evolving landscape of comedy and gender dynamics.