Cole Escola triumphs at the 2025 Tony Awards
- Cole Escola won the Best Leading Actor in a Play at the 2025 Tony Awards.
- 'Oh, Mary!' is a reimagining of Abraham Lincoln's assassination from the perspective of his wife.
- The success of the play highlights a growing demand for diverse and unexpected narratives in theater.
In a groundbreaking moment for the theater community, Cole Escola was awarded the 2025 Tony Award for Best Leading Actor in a Play for his portrayal of Mary Todd Lincoln in the self-written production titled 'Oh, Mary!'. The ceremony took place recently at Radio City Music Hall in New York City, marking a significant recognition for Escola, who made history as the first openly non-binary actor to win in this particular category. Escola's performance not only captivated audiences but also challenged conventional narratives through its unique and queer perspective on historical events. The play itself is a one-act reimagining of Abraham Lincoln's assassination, viewed through the lens of his wife, Mary Todd Lincoln. Escola's innovative approach raises questions about societal norms and expectations, as he explores themes that resonate with contemporary audiences. Following his victory, Escola did not hold back in addressing critics whom he dubbed 'homophobes', using the opportunity to emphasize the importance of authenticity in storytelling and the value of artistic expression. In an emotional moment during the press room interaction, Escola simply stated, 'Fuck off!' to those who believed the production was too much of a risk due to its queer themes. In addition to Escola's victory, 'Oh, Mary!' also received accolades for Best Direction, awarded to Sam Pinkleton. During his acceptance speech, Pinkleton highlighted the collaborative journey of creating the show and expressed gratitude to Escola for inspiring him to prioritize passion over commercial appeal. This synergy between Escola and Pinkleton has turned the play into a significant achievement, breaking box office records and captivating theatrical audiences with its surprising and unexpected narrative. The essence of 'Oh, Mary!' appears to lie not only in its humor and storytelling but also in its ability to draw attention to lesser-known facets of history and the complexities of its characters. The buzz that has surrounded its successful run suggests that a demand exists for works that provide fresh perspectives and challenge audience expectations. This triumphed performance by Escola symbolizes a wider movement in the theatrical world aiming to bring forth stories that are often overlooked or marginalized. As audiences continue to embrace the unique voice that Escola delivers, it seems clear that the conversation around representation in theater will only grow richer and more inclusive as artists push boundaries and redefine norms.