Louis Chilton detests Mrs Brown's Boys after a week of viewing
- The BBC sitcom 'Mrs Brown's Boys' is seen as a lowbrow comedy that has faced significant criticism since its debut.
- Louis Chilton's week-long marathon revealed the presence of recycled humor and bloopers included in episodes.
- While many deride the show, some argue it still possesses a quirky charm that keeps it relevant among its fans.
In a critical examination of the BBC sitcom 'Mrs Brown's Boys', Louis Chilton undertook the challenge of watching the entire series to determine whether it truly deserved its terrible reputation. The investigation unfolded over a week in which Chilton attempted to fill every moment of his time with episodes of the show, which originally premiered in 2011. The sitcom is notorious for its reliance on lowbrow humor, poor-taste jokes, and outdated comedic tropes. Despite this, the show has maintained a dedicated audience and continued airing through annual seasonal specials. During his marathon viewing, Chilton noted that the supporting cast primarily features Brendan O’Carroll’s friends and relatives, and that the series has often borrowed jokes from other shows like 'The Simpsons' and 'Seinfeld'. O’Carroll himself has been involved in controversy, including making a racist joke on set. Bloopers are commonly included in the final cuts of episodes, further reflecting the informal nature of the production. After reaching the end of the third season in 2013, the format of 'Mrs Brown's Boys' changed from full series runs to twice-yearly specials, which left no sense of character continuity or investment in the narratives. Despite enduring a barrage of criticism and mixed reviews from viewers and critics alike, the show manages to retain a certain charm, as it continues to delight some loyal fans who appreciate its traditional sitcom roots. Ultimately, Chilton concluded that while 'Mrs Brown's Boys' exemplifies numerous flaws that invite derision, it may not be the worst show on television, presenting a perspective that recognizes its bizarre dedication to its style and its ability to connect with a segment of its viewing audience.