Cinephiles Concerned as Young Filmmakers Shift Focus to TV
- Jane Schoenbrun showcases her talent as a filmmaker in her new film that explores the lives of two misfits.
- The narrative revolves around their unique connection formed through a creepy TV show they both embrace.
- Schoenbrun's work is described as both weird and wonderful, confirming her exceptional ability to tell unconventional stories.
In a landscape where cinema faces competition from television, Jane Schoenbrun emerges as a promising talent with her latest feature film, *I Saw the TV Glow*. This film, which intricately explores a fictional TV show, captivates audiences with its hauntingly nostalgic 90s score by Alexander Giannascoli. Critics suggest that the film has the potential to achieve cult classic status, blending elements of horror, strangeness, and melancholy reminiscent of Gore Vidal’s *Myra Breckinridge*. Set in a pre-internet 1990s high school, the narrative follows Owen, portrayed by Ian Foreman and Justice Smith, who grapples with personal turmoil, including his relationship with his mother and his sexual identity. The film presents a world devoid of in-person interactions, emphasizing the isolation of its characters. Owen's journey intersects with Maddy, played by Brigette Lundy-Paine, who shares her own struggles and introduces him to a unique TV show called *The Pink Opaque*. *The Pink Opaque* features two girls, Isabel and Tara, who navigate a complex relationship while confronting supernatural challenges. This fictional show becomes a focal point for Owen and Maddy, deepening their bond as they become engrossed in its narrative. Their connection is portrayed as asexual yet passionate, highlighting the emotional intensity of their shared obsession with the series. Schoenbrun’s film not only reflects the anxieties of youth but also critiques the evolving landscape of entertainment, suggesting that the allure of television may overshadow traditional cinema.