British Youth Opera's Modern Take on The Rape of Lucretia

Talia Stern’s production of Benjamin Britten’s 1946 chamber opera, staged by the British Youth Opera, offers a stark and visceral interpretation of the themes of sexual violence. Set in the historic Brunel’s Thames tunnel shaft, the performance immerses a small audience in a claustrophobic environment that enhances the emotional weight of the narrative. The unique venue, with its smoke-blackened walls, creates a bunker-like atmosphere, intensifying the impact of the opera’s harrowing subject matter. Stern’s direction skillfully utilizes the space, incorporating the tunnel’s stairs and platforms to enhance the storytelling. The costumes by Hazel McIntosh evoke a timeless quality, allowing the action to resonate across the last century. Britten’s use of a Male and Female Chorus, representing Christians reflecting on historical events, adds a layer of complexity to the opera, transforming it from a moralistic tale into a contemporary exploration of power dynamics and violence. At the heart of the production is Alexandria Moon’s compelling portrayal of the title role, showcasing both vulnerability and strength through her powerful mezzo-soprano voice. Her performance is complemented by Thomas Payne’s dynamic conducting of Sinfonia Smith Square, which drives the tension between the characters. The palpable conflict between Moon’s character and Victoria Armillotta’s thrillingly sung Female Chorus underscores the opera’s exploration of desire and aggression, culminating in a thought-provoking conclusion that challenges the audience’s perceptions.