Gary Ginstling leaves New York Philharmonic for Houston Symphony

In the United States, Gary Ginstling has been appointed as the new CEO of the Houston Symphony, effective February 3, 2025. This decision follows his unexpected resignation from the New York Philharmonic after only one year in that position. Ginstling previously led prestigious orchestras such as the Cleveland Orchestra and the Indianapolis Symphony Orchestra, highlighting his extensive experience in the field of orchestra management. The Houston Symphony aims to elevate its artistic profile and improve fundraising efforts during this transition. Ginstling's tenure at the New York Philharmonic ended abruptly in July 2024, amidst reported cultural friction between him and various stakeholders, including musicians, staff, board members, and the new music director Gustavo Dudamel. The symphony’s board president, Barbara J. Burger, mentioned that Ginstling's emphasis on culture was critical, underscoring that a positive working environment is essential for success. As Ginstling takes over the Houston Symphony, he is set to replace John Mangum, who left to lead the Lyric Opera of Chicago. Ginstling expressed enthusiasm for Houston’s potential as a cultural hub, stating that he sees a great opportunity for the orchestra to thrive and attract top talent. The Houston Symphony, founded in 1913, is nearing the completion of a significant renovation project for its home venue, Jones Hall, funded by a $60 million initiative aimed at enhancing its facilities. The appointment aligns with the symphony's goal of continuing its longstanding tradition of excellence, which includes hosting 130 concerts annually with a robust operating budget of $40.7 million and a dedicated team of musicians and staff. Ginstling's experience and vision are expected to foster new growth and community engagement, vital for the symphony as it approaches its 60th anniversary in 2026. His leadership style and focus on creative partnerships are anticipated to help the orchestra attract new audiences and solidify its position within the competitive landscape of international orchestras.