Women revive traditional slipper art in Singapore's Peranakan community

In Singapore, the Peranakan community has seen a revival of the art of creating intricately beaded slippers, a craft that not only connects the women to their cultural heritage but also plays a significant role in the broader context of identity. Angeline Kong, a sixth-generation Peranakan, has been beading slippers for nearly thirty years, explaining that this skill has allowed her to feel more connected to the women in her family who wore such footwear. The traditional footwear often features beautiful glass beads showcasing floral and geometric patterns, with each design telling a unique story of the culture. Cultural historian Peter Lee highlights that the role and influence of the nyonya, which refers to Peranakan women, have been largely diminished in post-colonial Singapore. Historically, the golden age for the Peranakan community was before World War II. After Singapore's independence in 1965, modernity took precedence, leading to a neglect of traditional crafts and roles that were once vibrant within the community. The resurgence of slipper beading reflects a broader effort among Peranakan women to reconnect with their roots and maintain their cultural identity in a rapidly modernizing society. This revival not only serves as a form of artistic expression but also as a means of preserving history and fostering a sense of community among the women of the Peranakan lineage. The story of Angeline Kong and other artists like her emphasizes the enduring significance of tradition in contemporary life. It serves as an important reminder of the value of cultural heritage amidst the pressures of modernization, encouraging future generations to carry on these traditional practices even as society continues to evolve.