Brahms Piano Concertos and Late Works: A Captivating Performance
- Igor Levit's performances of Brahms' piano concertos and late piano pieces are featured in a new album.
- The late piano pieces, composed in 1892 and 1893, showcase Brahms' introspective style and are highly praised.
- While Levit's interpretations of the late works are compelling, the concertos are considered less competitive compared to other renowned recordings.
In October 2024, Igor Levit released a new album that includes his interpretations of Brahms' piano concertos alongside his performances of the late piano pieces. The late works, composed in 1892 and 1893, are recognized for their introspective nature and emotional complexity, setting them apart from Brahms' earlier compositions. Critics have noted that Levit's execution of these pieces is exceptional, highlighting his ability to convey the nuanced emotional landscape of the music. Conversely, the two piano concertos included in the album have received mixed reviews. The D minor First Concerto, completed in 1858, and the B flat Second Concerto, finished 23 years later, are seen as less compelling in this recording. Critics pointed out that the Vienna Philharmonic's performance lacks the necessary vigor, particularly in the opening tutti of the D minor concerto, which sets a disappointing tone for the piece. Despite Levit's intelligent playing and the thoughtful direction of conductor Christian Thielemann, the concertos do not reach the same heights as the late piano pieces. The performances are described as routine, with only a few moments of brilliance shining through. Overall, while Levit's interpretations of Brahms' late works are highly regarded, the concertos fall short when compared to other celebrated recordings, leaving listeners wanting more from this collaboration.