Airs and Graces: The 1924 Princely Affairs in Society

In October 1924, the renowned composer Sergei Rachmaninov returned to England after a lengthy absence. His visit was marked by a sense of nostalgia, as he was reminded of a promise made during the Leeds Festival in 1910. At a dinner held in his honor, Rachmaninov was charmed by the tune 'He’s a Jolly Good Fellow,' which he had never encountered before. He expressed his delight by vowing to incorporate it into a set of orchestral variations. Interestingly, this melody has historical roots, as it can also be traced back to Beethoven’s Battle Symphony, with some sources suggesting it was introduced to Europe by the Crusaders. The event highlighted Rachmaninov's connections with his friends and the musical community in England. His genial nature was contrasted with the formalities of his public persona, as noted by Sir 'Pat' Rose-Innes, KC, who was known for his warm character despite his judicial role. This blend of personal and professional interactions illustrates the cultural exchanges that occurred during this period. Rachmaninov's return and the subsequent discussions about his musical influences reflect the broader context of early 20th-century classical music, where composers often drew inspiration from various sources. The promise he made in 1910 serves as a reminder of the lasting impact of social gatherings on artistic creation. Ultimately, Rachmaninov's visit to England not only rekindled friendships but also reinforced the interconnectedness of music and personal experiences, shaping the future of his compositions.