Lee Daniels' "The Deliverance" Fails to Capture the Depth of the Ammons Case

After a decade in development, Lee Daniels' film "The Deliverance," inspired by the real-life haunting claims of Latoya Ammons, has finally been released. The story revolves around Ammons, a single mother who alleged that her home was haunted and her children possessed, leading her to seek an exorcism. However, the film arrives at a time when both Ammons and the house in question have moved on, leaving behind a narrative that feels more like a missed opportunity than a compelling exploration of its themes. Daniels had the potential to create a poignant film that examined the deeper societal issues surrounding Ammons' claims, such as racism, sexism, and poverty. The film initially hints at this direction, showcasing strong performances from Andra Day, Mo’Nique, and Glenn Close. Their portrayals lend a sense of authenticity to the narrative, as the film begins to unfold like a social issue drama infused with an unsettling atmosphere. The children’s unexplained bruises and the tension surrounding their experiences create a gripping setup. However, as the plot progresses, "The Deliverance" devolves into a clichéd horror film reminiscent of other exorcism narratives, failing to acknowledge its similarities to classics like "The Exorcist." The film ultimately succumbs to predictable tropes, losing the nuanced exploration it initially promised. The result is a disappointing experience, leaving audiences yearning for a more thoughtful interpretation of the Ammons case.