Ayo Edebiri questions the motives of pop star in clumsy satire

In March 2025, audiences are introduced to a new film starring John Malkovich as Moretti, a reclusive pop star from the 1990s, who emerges from retirement to unveil his first studio album in decades. The setting primarily takes place at Moretti's desert compound, where several VIP guests, including a young magazine journalist named Ariel Ecton, portrayed by Ayo Edebiri, gather for an exclusive listening party. Ariel, frustrated by her lack of significant writing during her career, is invited hoping to find inspiration and insight into the enigmatic musician's world. As the film unfolds, Ariel's skepticism towards the bizarre hospitality and cult-like atmosphere enforced by Moretti becomes a central theme. She finds herself surrounded by other guests, including a TV personality and an influencer, who are lured by the allure of Moretti's fame without questioning the odd rituals and practices taking place around them. The ambiance is darkened by strange meal routines and a mix of horror elements, contributing to a sense of unease as Ariel navigates through the events. Despite its attempts at creating horror fused with a commentary on fame, critics note that the film struggles to deliver a cohesive message, falling short in both narrative depth and satire. There are moments where the cinematographic techniques shine, but the overarching plot is described as disjointed and ineffective, providing an empty experience rather than a meaningful critique of celebrity culture. The film concludes with Ariel's attempt to unveil Moretti's true intentions, blending elements of horror with celebrity satire in a narrative that has garnered mixed reviews. The reception leads to discussions about the portrayal of reclusive artists and the often superficial nature of media journalism among influencers and celebrity culture in contemporary society.