Review of The Hotel Avocado

In his latest novel, comedian Bob Mortimer delivers a whimsical narrative that blends absurdity with humor, reminiscent of classic shaggy-dog stories. The plot kicks off with a recap of the previous installment, where Mortimer introduces a series of outrageous events, including a shooting and a bizarre cast of characters. The shift from south-east London to Brighton, along with the introduction of a talking pigeon and a giant fibreglass avocado, sets the stage for a wild adventure that defies conventional storytelling. The story is primarily narrated by Gary, who is joined by familiar faces like Emily and Grace, alongside a mysterious observer lurking beneath a park bench. As the plot unfolds, it spirals into a realm of the unbelievable, yet Mortimer cleverly intertwines elements of truth within the absurdity. The talking squirrel symbolizes Gary's loneliness, while Emily's quest to raise an avocado flag reflects her complex emotions regarding her estranged father, showcasing Mortimer's keen observation of human experiences. Despite his comedic prowess, Mortimer struggles to fully inhabit his characters, often remaining a distinct presence within the narrative. This raises questions about the nature of storytelling: does the comedic background of the author influence the perception of the work? Ultimately, the enjoyment derived from the novel may overshadow traditional literary critiques, inviting readers to embrace the joy of the journey rather than the destination.