Pantomime dame sentenced for embezzling £75,000 from theatre charity
- David McCann stole £75,000 from PACE Theatre between 2013 and 2017.
- He was sentenced to 18 months in prison after pleading guilty to embezzlement.
- The incident led to discussions of civil action by the PACE Theatre to recover the funds.
In Paisley, Scotland, David McCann, a founding member of the PACE Theatre, was sentenced to 18 months in prison for embezzling £75,000 from the arts charity that helped launch the careers of several notable figures, including James McAvoy and Paolo Nutini. The embezzlement took place between December 1, 2013, and July 25, 2017, while McCann was serving as the director and chief executive of the organization. McCann admitted to transferring funds from the company bank account to his own personal account and using the company credit card for personal expenses. Initially, prosecutors estimated the total amount embezzled at £108,831, but McCann pleaded guilty to the lesser amount, which was accepted by the Crown. The incident sparked a deep sense of betrayal among staff and the board members of PACE Theatre Company, who expressed their sorrow over the situation. After McCann’s removal from the company, PACE Theatre began to recover and improve its financial performance. Grant Mason, the current chief executive of the firm, noted that the board was considering civil action to recover the stolen funds. Despite the challenging circumstances, Mason highlighted the resilience of the staff and the board, crediting them for their hard work and dedication throughout the ordeal. In court, Sheriff Amel Elfallah emphasized that there was no alternative to imprisonment for McCann, expressing the severity of his actions. Following the trial, PACE Theatre acknowledged the situation as a difficult episode, but also stated that they were committed to moving forward and expanding their activities in the arts community. The organization, established in 1998, remains focused on nurturing young talent and providing enriching experiences in performing arts, even amidst the shadows cast by the embezzlement scandal. This case serves as a notable reminder of the depths of betrayal that can occur within charitable organizations, especially when trust is placed in leadership roles. The PACE Theatre, which has been a significant player in the Scottish arts scene and boasts prominent alumni, is now positioning itself for a brighter future. As discussions around civil action unfold and the board evaluates its next steps, the focus remains not only on recovering lost funds but also on fostering an environment where artistic talents can flourish. The commitment to transforming negative experiences into opportunities for growth aligns with the theatre's charitable mission and ongoing dedication to the arts community.