The 1980s Battle for a TV Channel in Broadcasting
- The plot revolves around a competition for a commercial TV franchise in a fictionalized west England during the 1980s.
- Declan O'Hara, the high-principled star, defects and collaborates with local businessmen to form a rival entity called Venturer.
- The narrative highlights the changing dynamics of television broadcasting and regional pride during that era.
Dame Jilly Cooper's 'Rivals' is set against the backdrop of the 1980s, a time when television broadcasting was deeply intertwined with regional pride and public policy ideals. The narrative unfolds in a fictionalized version of west England, where characters are embroiled in a fierce competition for a commercial TV franchise. The protagonist, Declan O'Hara, initially embodies high principles but ultimately defects, aligning himself with local businessmen and creatives to establish a rival entity named Venturer. This shift marks a significant turning point in the story, reflecting the changing landscape of television during that era. As the plot progresses, the tension escalates leading up to a crucial hearing at the Independent Broadcasting Authority. The stakes are high, as the outcome of this hearing will determine the future of the competing franchises. The characters' motivations are driven by a mix of ambition, regional loyalty, and the desire to shape the television landscape in a way that reflects their values and aspirations. The story not only highlights the personal rivalries and romantic entanglements among the characters but also serves as a commentary on the broader implications of commercial television. It captures the essence of a time when broadcasting was seen as a public service, and the fight for a channel was emblematic of larger societal changes. Ultimately, 'Rivals' is a reflection on the evolution of television in the 1980s, showcasing how personal and professional ambitions intersected in the quest for influence and recognition in the media landscape.