David Edgar discusses risks of writing real events in drama

David Edgar, a veteran playwright, is currently engaged in rehearsals for two new plays after a six-year hiatus since his last self-performed work, 'Trying It On.' His latest play, 'The New Real,' is set in a fictional post-Soviet Eastern European country, reflecting on the political tensions of the Cold War era. Edgar discusses the challenges of writing about real events, emphasizing the importance of authenticity in narratives and the need for diverse voices in theatre. He critiques the notion that only residents of a particular country can write about its experiences, arguing that thorough research can bridge that gap. Edgar acknowledges the unique landscape of British theatre, which allows for long-term careers due to subsidies, contrasting it with the American system where such opportunities are scarce. He reflects on the historical context of playwrights like Arthur Miller, who found refuge in the UK when Broadway rejected his works. This environment has fostered a rich theatrical culture, but Edgar warns against relying solely on new writers, as it could jeopardize the careers of established playwrights. The playwright also expresses concern over the current political climate, noting a rise in paranoia and polarization reminiscent of the 1950s in America. He critiques the political party he supports, highlighting the rift between New Labour and Old Labour as a significant issue. Edgar's reflections reveal a deep engagement with the evolving landscape of theatre and politics, as he navigates his own creative journey. Ultimately, Edgar's work and insights underscore the complexities of writing about real events and the necessity of diverse perspectives in the arts, as he continues to explore these themes in his new plays.