Richard Gere plays a tortured soul in new drama about guilt

Set in a contemplative tone, the film directed by Paul Schrader delves into the life of a dying man named Fife, surrounded by the backdrop of impending mortality and regret. The narrative unfolds as a documentary crew prepares to interview Fife, revealing his deep desire to confront his past and confess the truths that haunt him. This setup highlights the dual nature of confession; it occurs within a religious context yet resonates with broader psychological implications for many individuals who seek to unburden their souls. The complex dynamics of familial relationships surface as Fife reflects on his decisions and the consequences of abandoning his son Cornel and second wife Alicia. The use of the Interrotron, a device that gives the appearance of eye contact during interviews, further emphasizes the intimate nature of Fife’s confession. This innovative approach mirrors the essence of a confessional booth, where individuals divulge their secrets, regardless of any divine connotation. Fife's irritation with the setup reveals his yearning for truth and connection with his wife Emma, underscoring the personal stakes involved in his confessions. His complex history, intertwined with guilt and the desire for redemption, is amplified through the parallel storyline of his younger self, portrayed by Jacob Elordi, who stands at a crossroads of his life decisions. Elordi’s character embodies youthful ambition and conflict, torn between the lure of a comfortable life with Alicia and Cornel, and the uncertainty of pursuing an indeterminate future without them. The casting choice prompts comparisons to Richard Gere's iconic roles in earlier works directed by Schrader, suggesting a deliberate homage to filmmaking and character representation across generations. As the film progresses, the specter of mortality looms large not only for Fife but also for the essence of truth itself, raising existential questions about identity and legacy. Ultimately, 'Oh, Canada' serves as a meditation on the frailties of the human condition, with its characters grappling with life’s choices and the inevitability of death. The film contributes to Schrader's exploration of solitary men struggling to find their place in a world often devoid of meaning, reflecting broader themes of human frailty and the quest for forgiveness in the face of life's harsh realities.