Live Aid 1985 struggles: Ferry's Slave to Love at Midler's home
- Bryan Ferry recorded 'Slave to Love' in a soundproof room built by Bette Midler at her house in New York, where production took place after initial work in London.
- The first live performance of the song occurred at Live Aid, where technical issues affected the performance but did not hinder the song's eventual success.
- Despite challenges, 'Slave to Love' quickly gained popularity and has been featured in numerous films, showcasing its emotional resonance with audiences.
In the United States, Bryan Ferry's iconic song 'Slave to Love' was recorded in Bette Midler's soundproof room in New York after initial sessions at a London studio. The collaboration took shape in the late 1970s when Ferry and producer Rhett Davies worked to refine the track. They utilized a keyboard phrase from an unfinished project, showcasing the creative process behind the song’s orchestration. The song's live debut took place during the historic Live Aid concert in July 1985. Although Ferry faced several technical issues, including a broken snare drum and problems with the bass and guitar, the performance was memorable. The difficulties did not overshadow the song's impact; rather, it became an emblematic moment of the event. Post-performance, 'Slave to Love' gained momentum and became favored for various film soundtracks, reflecting its widespread appeal. Its themes resonated with many, allowing listeners to connect emotionally with the music. In the years following its release, 'Slave to Love' solidified its place in popular culture, likely due to its unique blend of sophistication in sound and relatable feelings. Bryan Ferry's artistry is evident in the song's enduring legacy and its importance within his discography.