Tracking the French Impressionists, at Work and at War

Sebastian Smee's work explores the lives of notable Impressionist artists, including Manet, Degas, and Berthe Morisot, during the tumultuous period of the Franco-Prussian War. The narrative delves into the personal and professional challenges faced by these artists as they navigated the chaos of war and societal upheaval in Paris. Smee highlights the extreme conditions, such as starvation and violence, that influenced their art and relationships. Notably, the book portrays a complex emotional connection between Manet and Morisot, set against the backdrop of their artistic ambitions and the war's impact on their lives. The author recounts significant events, including a duel between Manet and journalist Edmond Duranty, which was ultimately resolved in a humorous manner involving a pair of shoes. This anecdote illustrates the personal conflicts that arose amidst the broader historical context. Additionally, the narrative reveals the struggles of Morisot, who, despite her privileged background, was determined to pursue her passion for painting. Smee also discusses a controversial incident where Manet vandalized a portrait painted by Degas, reflecting the tensions within their artistic community. This act symbolizes the underlying issues in Manet's personal life, particularly his troubled marriage. The book captures the essence of the Impressionist movement during a time of crisis, showcasing how external circumstances shaped the artists' work and relationships. Ultimately, Smee's portrayal of these artists provides insight into the intersection of art and history, revealing how the Franco-Prussian War not only affected their lives but also left a lasting impact on their artistic legacies.