‘Bad Kreyòl’ Review: Dueling Cultural Identities Make for a Weighty Comedy

Set in Haiti, Dominique Morisseau's latest play follows a Haitian American woman who travels to the island after the death of their grandmother. Her intentions include volunteering with NGOs and mending a fractured relationship with her Haitian cousin. As they confront their differing cultural perspectives, the story delves into themes of diasporic identity and the expectations placed upon them by their families and society. Helmed by director Tiffany Nichole Greene, this production offers an insightful look into the familial dynamics at play. The characters provide a rich contrast, with Gigi representing the traditional Haitian values and lifestyle, and her American cousin embodying a more liberal, carefree approach to life. This juxtaposition gives rise to both comedic moments and serious discussions surrounding personal responsibilities and cultural legacy. The play further complicates these identity struggles by introducing their family’s housekeeper, Pita, whose existence reflects broader societal issues. Despite serious undertones, Morisseau skillfully balances the drama with humor, ensuring that the audience remains engaged. The incorporation of comedic elements allows for a digestible exploration of contemporary social themes. The relationships portrayed become a microcosm of broader diasporic experiences. Ultimately, the play highlights the depth of human connection amidst cultural divides, affirming Morisseau's reputation as a writer who can navigate both lighthearted and weighty subjects with ease. This production marks a significant contribution to the discourse on identity, family, and belonging in an ever-changing world.