Matt Walsh challenges anti-racism industry in new film, Sept. 13

In his new film, Matt Walsh critiques the anti-racism industry, highlighting how figures like Robin DiAngelo profit from promoting a narrative that suggests all white individuals are inherently racist. Walsh's documentary, which features uncomfortable discussions and workshops, aims to expose the financial motivations behind anti-racism teachings. DiAngelo, who charges significant fees for her workshops, is depicted as part of a system that perpetuates a cycle of guilt without offering a solution. Walsh argues that this industry thrives on creating a sense of disease among white people, ensuring its own relevance and profitability. The film showcases various interactions, including Walsh's humorous yet pointed exchanges with DiAngelo and other participants. He challenges the notion that white individuals can ever be free from racism, suggesting that the industry benefits from maintaining this belief. The documentary also touches on the absurdities of the discussions, such as the idea of cultural appropriation in children's play, which Walsh uses to illustrate the contradictions within the anti-racism narrative. Walsh's approach combines satire with serious critique, aiming to provoke thought and discomfort among viewers. He emphasizes the need for individuals to confront their own beliefs rather than relying on systemic changes. The film ultimately questions the effectiveness and sincerity of the anti-racism movement, suggesting that it may be more about profit than genuine progress. By exposing the financial and ideological underpinnings of the anti-racism industry, Walsh's film invites audiences to reconsider the motivations behind popular anti-racism figures and the impact of their teachings on society.