Grosvenor Discusses the Unique Busoni Piano Concerto at the Proms

In a remarkable return to the Royal Albert Hall, a pianist is set to tackle Ferruccio Busoni’s Piano Concerto, often dubbed the “Everest” of piano repertoire. This performance marks the first time in 36 years that the concerto will be featured at the festival, a fitting tribute to Sir Henry Wood, a noted advocate for Busoni’s work. The concerto, which Busoni referred to as his “Italian symphony,” incorporates elements of Neapolitan songs and Italian dance forms, creating a rich tapestry of sound. The piece is characterized by its hyper-virtuosic demands, presenting a unique challenge for the pianist. The role is not merely to shine solo but to engage in a dynamic interplay with the orchestra, sometimes taking the lead and at other times supporting the ensemble. This multifaceted relationship requires acute awareness and coordination, making the performance both exhilarating and daunting. Particularly notable is the fourth movement, a lively tarantella that draws on Italian folk traditions. The movement’s narrative, where the protagonist dances to the death after being bitten by a spider, is infused with humor and exuberance. It culminates in a dramatic cadenza, likened to an erupting volcano, pushing the pianist to new heights of virtuosity. As the performance unfolds, the music reverberates through the hall, creating an immersive experience that resonates with the audience, leaving them captivated by the blend of operatic and symphonic elements that define Busoni’s masterpiece.