Shen Yun's Success Shadowed by Performer Struggles: A New York Times Investigation

Shen Yun Performing Arts, a globally recognized traditional Chinese dance and music group, has garnered significant acclaim and financial success, boasting over $265 million in holdings. However, a recent investigation by The New York Times reveals troubling conditions faced by its young performers, many of whom are teenagers. Interviews with 25 former dancers, musicians, and instructors highlight a culture of emotional abuse, manipulation, and a discouragement of seeking medical care for injuries, alongside demanding work hours and low pay. The investigation notes that performers, who come from diverse backgrounds to train at a secluded 400-acre compound in Cuddebackville, New York, are often motivated by their connections to Falun Gong, a spiritual movement founded by Li Hongzhi. Many view him as a divine figure, which drives them to endure harsh conditions in pursuit of artistic excellence. Li, now in his early 70s, played a pivotal role in establishing Shen Yun in 2006 and continues to influence the group’s operations. The findings raise significant concerns about the treatment of performers within the organization, suggesting that the pursuit of artistic success may come at the expense of their well-being. As Shen Yun continues its international tours, the revelations prompt a critical examination of the balance between artistic ambition and the welfare of its young talents. The investigation sheds light on the darker side of a celebrated cultural phenomenon, calling for greater scrutiny and accountability.