Sep 30, 2024, 12:00 AM
Sep 29, 2024, 12:00 AM

Coppola's Megalopolis Opens to Disappointing $4 Million Sales

Provocative
Highlights
  • The film had a production and marketing budget of around $140 million.
  • It opened to approximately $4 million in ticket sales, ranking sixth at the box office.
  • The poor audience reception and financial performance indicate a significant disconnect between the film's ambitions and viewer interest.
Story

Francis Ford Coppola's latest film, which he has been developing for decades, faced a disappointing debut at the box office. The film, which cost approximately $140 million to produce and market, only managed to generate around $4 million in ticket sales during its opening weekend in North America. This performance was below even the most pessimistic projections prior to its release. The film was shown in nearly 2,000 theaters across the United States and Canada, yet it struggled to attract audiences, placing sixth in the weekend box office rankings. Notably, it was outperformed by a poorly reviewed Telugu-language action drama that was available in fewer theaters. The narrative centers on a visionary architect, portrayed by Adam Driver, who aspires to elevate society from its struggles. Despite the film's ambitious premise, audience reception was lukewarm, with a CinemaScore exit poll rating of D-plus, a rarity for a high-budget production from a renowned director. This lack of enthusiasm from viewers raises questions about the film's appeal and marketing strategy. Coppola, who is 85 years old, even sold part of his wine business to finance the project, indicating his deep commitment to the film. The distributor, Lionsgate, expressed pride in partnering with Coppola, suggesting that the film's true value may be recognized over time. However, the immediate financial results paint a stark picture of a film that failed to resonate with its intended audience. In summary, the film's lackluster performance highlights the challenges faced by even established filmmakers in today's competitive cinematic landscape, where audience preferences can be unpredictable and difficult to gauge.

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