Title: "I Saw the TV Glow": A Genre-Defying Exploration of Dread and Identity

In Jane Schoenbrun’s second feature, "I Saw the TV Glow," the film transcends traditional horror classifications, presenting a uniquely unsettling narrative that defies genre conventions. Set against a backdrop of the 1990s, the story follows two misfit teenagers, Owen and Maddy, whose shared obsession with a supernatural late-night TV series serves as a catalyst for their deeper connection. The film immerses viewers in a world where time is fluid, amplifying the sense of disquiet that permeates every frame. The characters, portrayed by Justice Smith and Brigette Lundy-Paine, navigate a reality that feels increasingly distorted. Owen, depicted with haunting vulnerability, embodies a profound sadness that resonates throughout the film. Maddy, perceptive and intuitive, recognizes early on that their world is fraught with unease, a sentiment that echoes the experiences of many who grapple with feelings of alienation and discomfort in their own identities. While "I Saw the TV Glow" incorporates a trans/queer subtext, its themes of existential dread and the search for belonging are universal. The film speaks to anyone who has ever felt out of place, making it a poignant exploration of identity and the human experience. Schoenbrun’s work invites audiences to confront their own fears and insecurities, all while enveloped in a visually striking and emotionally charged narrative. Ultimately, "I Saw the TV Glow" stands as a testament to the power of storytelling that transcends conventional boundaries, offering a haunting reflection on the complexities of youth and the unsettling nature of reality.