Julian Schnabel discusses new Basquiat film at Beyond Fest

Julian Schnabel, a renowned artist and filmmaker, has revisited his film about Jean-Michel Basquiat, creating a new black-and-white version. This decision was inspired by a previous screening in Montauk, New York, where a projector malfunction led to the film being shown in black and white. Schnabel found this format to enhance the film's artistic elements, allowing the paintings to blend seamlessly into the narrative. He expressed that this experience felt like seeing the film anew, prompting him to undertake the project. The film features Gary Oldman portraying an artist named Albert Milo, a character that serves as a reflection of Schnabel himself. The narrative intertwines Schnabel's life with Basquiat's, showcasing moments that highlight their relationship, including a scene where Warhol gives Basquiat money for caviar, which Schnabel noted he had actually paid for in real life. This blending of personal and artistic narratives has led to critiques labeling the film as self-aggrandizing. Schnabel acknowledges the difficulty in separating an artist from their work, suggesting that all artistic creations are inherently self-portraits. Critics have noted that the film feels authentic, capturing the essence of an actual artist rather than a fictionalized version. Schnabel's connection to Basquiat's journey is evident, as he reflects on the challenges both faced in the public eye. The film's re-release aligns with a broader cultural interest in Basquiat's legacy, emphasizing the importance of authentic storytelling in cinema. Schnabel's commitment to accurately portraying Basquiat's life and art underscores his desire to honor the artist's memory and contributions to the art world.