Futurists unite in Milan to challenge traditions and philosophies

A significant gathering took place on November 29, 1924, in Milan, Italy, where the first National Futurist Congress was held. This event marked a crucial moment in the artistic and political landscape of the time, as various creative individuals—including poets, painters, musicians, and architects—came together to convene and express their Futurist ideologies. The Futurists, who were known for their avant-garde views, sought to break free from the constraints of the past and explore new artistic expressions that resonated with the modern world. During this Congress, participants discussed an array of provocative topics, such as 'the aerial theatre' and 'the spiritual alphabet.' These discussions reflected their commitment to innovation and their desire to redefine the arts. One particularly controversial subject was the proposal for the 'demolition of Venice.' This idea likely stemmed from the perception of Venice as a symbol of romanticism, which many Futurists found rather unappealing. They believed that this city, with its serene canals and tranquil gondoliers, contradicted their ideology of noise and perpetual activity. The appeal for destruction of Venice can be interpreted as an extreme rejection of beauty that lacked vigor and noise. Leaders of the Futurist movement encouraged participants to embrace a lifestyle characterized by sleeplessness and activity, challenging the romantic ideals that dominated the art scene at that time. Through this Congress, they aimed to inspire others to reflect on the joys found in a dynamic and chaotic existence. The first National Futurist Congress in Milan not only served as a platform for these creative minds but was also indicative of a broader cultural shift happening in Italy during the early 20th century. It represented a clash of ideologies between traditional romanticism and the emerging Futurist movement, setting the stage for future artistic expression that emphasized modernity and innovation.