Uncovering the exploitation of Black musicians in the music industry

The documentary series 'Paid in Full' explores the systemic exploitation of Black musicians in the music industry, highlighting practices that have persisted for over a century. Ice-T, alongside music historians, reveals how the industry has historically preyed on Black artists, often taking advantage of their economic vulnerabilities. In the 1920s and 30s, scouts from major labels would lure musicians with alcohol and offer them minimal compensation for recordings that would generate substantial profits. This exploitation deprived artists and their descendants of potential wealth from royalties and publishing rights. The series also addresses the racial dynamics of the music industry, where Jim Crow-era segregation forced Black artists to rely on white intermediaries for essential business dealings. This led to significant injustices, such as the overshadowing of original Black artists by white cover versions, exemplified by Pat Boone's rendition of 'Tutti Frutti' surpassing Little Richard's original. Additionally, the documentary highlights the role of unscrupulous managers, like Joe Glaser, who exploited artists for personal gain. While the series acknowledges the success of figures like Berry Gordy and Jay-Z, it also hints at the need for a deeper examination of the industry's moral implications. The narrative suggests that rather than merely navigating a corrupt system, there is a pressing need to dismantle it. The documentary touches on contemporary movements in music, such as Stormzy's #Merky Records, which aim to empower artists at the grassroots level. Ultimately, 'Paid in Full' serves as a critical reflection on the historical and ongoing exploitation of Black musicians, urging viewers to consider the broader implications of these practices within the music industry and society at large.