Jim's Perspective on Huckleberry Finn

Percival Everett's latest novel, *James*, reimagines Mark Twain's classic *Huckleberry Finn* through the eyes of Jim, the runaway slave, infusing new life into this iconic character. In this retelling, Jim is portrayed as secretly literate and articulate, contrasting sharply with Twain's depiction of his dialect as a means of evading white scrutiny. Everett cleverly employs code-switching to explore themes of race and identity, using humor to subvert traditional narratives. Language plays a pivotal role in *James*, as Jim's journey begins with a stolen pencil, symbolizing his desire to "write himself into being." Renaming himself James, he asserts his identity as a man aware of his existence, family, and the injustices he faces. This act of self-definition is a powerful rebellion against a society that views him merely as property, extending even into metaphysical realms where he engages in debates with philosophical figures like Voltaire and John Locke. Everett's narrative diverges from Huck's lighthearted conclusion, allowing James to craft an ending that reflects his anger and newfound agency. While Huck's pivotal moment involves a moral decision to help Jim, Everett emphasizes that Jim's reality is far more harrowing, as he states, "I was born in hell." *James* is not merely a moral tale or adventure; it is a profound exploration of the dark and often terrifying legacy of America's racial history, blending humor with a stark portrayal of suffering.