Trafalgar Square Fourth Plinth: Trans and non

In a significant artistic installation, hundreds of plaster casts representing transgender and non-binary individuals were unveiled in Trafalgar Square, London. The artwork, titled '850 Improntas,' was created by Mexican artist Teresa Margolles and aims to highlight the often-overlooked experiences of marginalized communities, particularly those involved in sex work. The casts were made by applying plaster directly to the models' faces, capturing their unique features along with their hair and skin cells, thus creating a deeply personal connection to the artwork. The installation is arranged in the form of a tzompantli, a traditional Mesoamerican skull rack, symbolizing the historical context of violence and sacrifice. Margolles, who has a background in forensic pathology and mortuary work, draws on her experiences to address themes of conflict and loss. Her previous works have focused on the victims of drug-related violence in Mexico, emphasizing the importance of recognizing those who are often rendered invisible in society. The Fourth Plinth has a history of showcasing temporary artworks since 1999, following its original purpose of displaying a statue of William IV, which was never completed. This ongoing series has included works by various renowned artists, making it a dynamic space for contemporary art in London. Margolles's installation not only serves as a powerful commentary on social issues but also invites viewers to reflect on the lives and struggles of those represented. By infusing the artwork with personal elements from the sitters, she creates a poignant reminder of the humanity behind the statistics and societal narratives surrounding marginalized groups.