Hong Kong artist reveals the harsh truths of communism in Hungary

In Hungary, the Godot Institute of Contemporary Art in Budapest has been hosting an exhibition titled 'As Far, as Exile,' showcasing works from a diverse group of artists, including six Czech artists and Hong Kong's Loretta Lau. This exhibition is dedicated to exploring the experiences of individuals who have been compelled to seek exile due to political persecution. Opened on November 26, 2024, and set to run until February 2, 2025, the themes of the displayed art reflect the enduring impact of oppressive regimes, drawing on historical parallels between the past sufferings in Czechoslovakia under communism and the contemporary political climate in Hong Kong under increasing Chinese influence. The featured works serve as a poignant reminder of the struggles faced by those in exile, illustrating both personal narratives and broader collective memories. As Lau pointed out, the extradition treaty currently being negotiated between Hungary and China presents serious threats to artists and activists who have sought refuge in Europe. She described the treaty as a potential nightmare for many who have fled political unrest in their home countries. This heightened sense of vulnerability is further underscored by the historical context Lau explored through her visit to Hungary's House of Terror Museum, where she drew disturbing parallels between Hungary's past under communist rule and Hong Kong's present challenges. The exhibition not only highlights the art of those who have suffered but acts as a platform for vital dialogue about the political state in which artistic expression exists. The Czech artists' involvement adds a unique layer of shared experience, especially those like Pavel Baňka who have lived through similar oppressive periods, emphasizing the importance of passing down hopes and lessons learned to future generations. Lau believes that failure to recognize the ramifications of political manipulation over art could stifle movements toward a more just society, warning that continued suppression could lead to a repetition of past atrocities. Thus, the exhibition stands as a collective call to action, urging viewers to reflect on historical horrors and ensure they are not repeated. This initiative serves as an important testament to the resilience of artists—both past and present—against tyranny and the significance of protecting freedoms in the face of emerging threats from authoritarian governance.