Mozart’s The Marriage of Figaro shines at Covent Garden revival

The Royal Opera's new season commenced with a revival of David McVicar's 2006 production of Mozart's The Marriage of Figaro, marking its 10th iteration. Conductor Julia Jones infused the performance with energy, while the cast was notably young, featuring Ying Fang in her Covent Garden debut as Susanna. The production showcased a reimagined Count, portrayed by Huw Montague Rendall, who presented a more sexual and less violent character than previous interpretations, enhancing the dynamics of the story. The character development was a highlight, with Bartolo and Marcellina portrayed as nuanced figures rather than mere caricatures. The relationships among the Almaviva household were more pronounced, with the servants actively participating in the unfolding drama. However, this increased activity occasionally led to a sense of overcrowding on stage. Individual performances stood out, particularly that of Figaro, played by Luca Micheletti, who brought warmth and moral depth to the role. Ying Fang's Susanna was reflective and her singing was exquisite, particularly in the aria Deh Vieni Non Tardar. Maria Bengtsson's Countess displayed profound emotional depth, culminating in a poignant moment of forgiveness towards her husband. Despite some minor issues with orchestral prominence overshadowing the singers, the overall execution was commendable. Jones's conducting was vigorous, though some moments, like Dove Sono, could benefit from a more reflective approach. The production successfully highlighted Mozart's orchestration, making it a memorable opening for the season.