‘1992’ Review: Can They Get Along?

The film directed by Ariel Vromen is set against the backdrop of the Los Angeles riots following the Rodney King verdict. It follows Mercer, a former gang member, who is trying to reconnect with his teenage son, Antoine, after being released from prison. The tension between them escalates as Antoine engages in rebellious behavior, including vandalism, which Mercer tries to prevent. The film intertwines their personal struggles with a heist plot involving a family of thieves aiming to steal $10 million worth of platinum during the chaos of the riots. As the story unfolds, the relationship between Mercer and Antoine is tested further when they encounter a racist traffic stop, highlighting the racial tensions of the time. The heist becomes a focal point as the thieves, led by a hotheaded father, also grapple with trust issues among themselves. This parallel narrative of familial conflict adds depth to the film, although it often feels overshadowed by the main plot. The film's action sequences and character development are criticized for being lackluster and incoherent, failing to engage the audience effectively. Ray Liotta's performance, in one of his final roles, is noted but ultimately does not elevate the film's overall impact. The film attempts to address serious themes of race and family dynamics but struggles to deliver a compelling narrative. In conclusion, while the film attempts to weave together personal and societal issues, it ultimately falls short, leaving viewers with a sense of missed potential amidst the chaos of the riots.