Bad Bunny skips U.S. tour dates to protect fans from ICE detentions

In his latest announcements, Bad Bunny, the influential Latin music artist, confirmed that he will not be touring the U.S. as part of his 'Debi Tirar Mas Fotos World Tour.' Despite enjoying his shows in the U.S. and having a successful track record there, Bad Bunny chose to omit U.S. dates from his tour schedule primarily due to concerns over potential ICE raids that could target Latino fans attending his concerts. This decision has been made in light of the heightened immigration enforcement under the Trump administration during his second term, which many believe would pose risks for his audience. The artist, whose real name is Benito Antonio Martínez Ocasio, expressed his compassion for his fans and his desire to ensure their safety. He indicated that the potential presence of ICE agents outside his concerts weighed heavily on his mind. Bad Bunny acknowledged that although he has fond memories of performing in America and connecting with Latino communities, the risks involved with ICE raids made it untenable for him to plan U.S. dates. Instead, he encouraged his fans from the U.S. to travel to Puerto Rico, or other global destinations, to enjoy his performances, maintaining his commitment to his audience while prioritizing their safety. During his interview with i-D, Bad Bunny highlighted the importance of standing in solidarity with immigrant communities and publicly denounced the actions of ICE. He has a history of supporting political causes, having endorsed Vice President Kamala Harris during her presidential campaign. Music videos featuring political messages and commentary on immigration issues have also marked his artistic expression, showing his engagement with social concerns. Currently, Bad Bunny is wrapping up a 30-show residency in Puerto Rico. His upcoming world tour, which begins in November, will include performances in Europe, Australia, and South America, but the absence of U.S. dates signifies a conscious decision driven by socio-political factors rather than a withdrawal from the U.S. market. This proactive stance raises critical discussions about the intersection of art and activism, and how public figures navigate their platforms amidst challenging political landscapes.