Dec 13, 2024, 12:00 AM
Dec 13, 2024, 12:00 AM

The Wallace Collection unveils its first horology exhibition in London

Highlights
  • The exhibition features five 18th-century clocks attributed to André-Charles Boulle.
  • The clocks have been restored and will be on display until March 2, 2025.
  • This showcase aims to attract a broader audience and highlight the artistry of the Baroque period.
Story

In London, the Wallace Collection has launched a notable exhibition featuring five opulent 18th-century clocks attributed to André-Charles Boulle. Coinciding with this unique showcase, the exhibition marks the museum's first dedicated to horology and runs from December 13, 2024, to March 2, 2025. Curator Alexander Collins elaborated that these clocks, which were typically dispersed throughout the museum, highlight the craftsmanship and detailed artistry of the Baroque period. The selected items include clocks made from materials like oak, turtle shell, and ebony, all indicative of their high value and association with the elite of 18th-century France. The exhibition brings these extraordinary pieces together in the ground-floor temporary exhibition space, previously the housekeeper's room, aiming to draw a wider audience by presenting them in a more cohesive context. In this innovative setting, visitors can appreciate the intricate designs and historical significance of each clock. The preparation for the showcase involved extensive restoration work, including cleaning and repairing four of the five clocks to ensure they are in working order. Jürgen Huber, the senior furniture conservator, articulated the meticulous nature of this process, emphasizing that each clock's movement was fully dismantled, cleaned, and reassembled with fresh oil before being tested for accuracy. While the primary aim of these clocks was not strict timekeeping, their grand designs signified a display of wealth and intellect to onlookers. Historically, such pieces were owned by individuals of significant stature, including courtiers, politicians, and tax collectors, as noted by Collins. The only clock in need of repair was the Venus mantel clock, once owned by a Russian industrialist. The importance of such restorations underscores the museum's commitment to preserving cultural heritage while providing visitors with insights into the technological advancements of the time. Overall, this exhibition is expected to enrich the viewing experience for the museum's guests, particularly by illuminating an often-overlooked aspect of decorative arts and horology. Boulle’s innovative contributions to clockmaking reflect a broader narrative of artistic evolution during the Baroque era. By grouping these historic clocks together, the museum not only highlights their individual beauty but also sets a stage for discussion about the value of craftsmanship, art, and science in society, bridging the past to contemporary appreciation.

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