Mother review – is this a devastating character study or trauma porn?

Noni Hazlehurst takes on the role of Christie, a homeless woman, in a compelling 70-minute play that delves into her tumultuous life. The character grapples with significant challenges, including mental illness and substance abuse, while navigating unstable relationships, particularly with her husband, Lenny. As Christie shares her story, the audience witnesses her transformation from anger to tenderness, especially when she speaks of her baby, Beau, who symbolizes hope amidst her despair. The play, written by Melbourne playwright Daniel Keene, showcases Hazlehurst's masterful acting, which captures the raw emotions of shame and sorrow. Her performance is particularly poignant given her previous role as a nurturing figure on Play School, creating a stark contrast between her past and Christie's current reality. The simple yet realistic costuming adds to the authenticity of the character's struggles. As the narrative progresses, the audience is drawn into Christie's harrowing experiences, culminating in a moment that feels almost violent in its voyeurism. The haunting cello sonata that plays during the final moments serves as a requiem for the living, emphasizing the ongoing torment faced by those like Christie. Ultimately, the play challenges viewers to confront the uncomfortable truths of homelessness and suffering, leaving them with a sense of responsibility towards those who endure similar fates in real life.