Taylor Sheridan's latest hit sparks debate on his creative genius
- The new series Landman from Taylor Sheridan premiered on Paramount+ and drew 14.6 million views in its first week.
- Billy Bob Thornton stars as Tommy Norris, navigating corporate challenges after a cartel-related incident.
- The show mixes themes of family dynamics and corporate corruption, appealing to fans of Sheridan's earlier series.
In a significant achievement for Paramount+, Taylor Sheridan's new series Landman has garnered an impressive 14.6 million views within its premiere week, marking the largest debut for a Paramount+ original series to date. The show features Billy Bob Thornton in the lead role of Tommy Norris, who works in a corrupt oil company in Texas. The plot revolves around the aftermath of a drug cartel's mishap involving a stolen company plane that crashes into an oil rig, leading to blame being placed squarely on Norris. As he navigates corporate challenges and legal entanglements, tensions rise with his boss, Monty Miller, expertly portrayed by Jon Hamm. The story also delves into subplots, including Norris's son, Cooper, eager to rise in the oil business despite facing life-threatening challenges while working on oil rigs. Another subplot revolves around Norris's complicated relationship with his ex-wife Angela and their teenage daughter Ainsley, a character whose provocative depiction has raised eyebrows among viewers. Ainsley's character frequently engages in inappropriate conversations with her father, provoking questions about the nature of her portrayal given that she is presented as a high school student despite the actress being 27 in real life. While the oil industry often doesn’t seem like rich material for compelling storytelling, the combination of Thornton’s charisma and Sheridan’s guidance has breathed life into the series. The show, with its exploration of family dynamics, ambition, and corporate corruption, invites viewers to reflect on serious issues while being entertained. As the series progresses, it sets the stage for more large-scale conflicts between Norris and Miller, promising deeper intrigue as the narrative unfolds. Overall, Landman presents a mix of drama and dark humor, with Thornton’s performance serving as a standout element that keeps audiences engaged and invested. In conclusion, Landman seems poised to maintain its momentum and possibly etch itself as another success in Sheridan’s growing portfolio of hit shows, confirmed by a viewership that reflects a strong interest and engagement from the audience. Fans of Sheridan’s previous works, such as Yellowstone, may find themselves drawn to this new series as it develops.