Evelyn De Morgan captures war's trauma through powerful art

In London, an art exhibition celebrated the works of Evelyn De Morgan, a lesser-known artist of the Pre-Raphaelite movement, underscoring her innovative contributions to art during tumultuous times. The exhibition showcases her paintings that delve into the complexities and traumas associated with war, particularly focusing on the effects of World War I. Evelyn, who worked in an era marked by immense male dominance in the art world, was determined to earn recognition alongside her peers and utilized her art to confront significant societal themes. De Morgan's paintings depict a host of fantastical elements, often blending reality with the surreal to comment on the war's impact on spirituality and materialism. Notable works feature her portrayals of divine beings such as angels, alongside darker motifs of death and destruction, represented through fantastical creatures and apocalyptic scenarios. Her exploration of these themes resonates with contemporary issues, providing insights into the enduring nature of human conflict and emotion. Art historians emphasize that De Morgan's unique perspective opens discussions about the spiritual dimensions of human experiences during war. Unlike many of her contemporaries, she intended to offer a transformative view of the war's brutality through a prism of hope and resilience. For example, her works often juxtapose the horrors of conflict with symbols signifying peace and rebirth, challenging viewers to confront grim realities while still aspiring towards a brighter future. In parallel, a separate exhibition titled 'Erased from the Face of the Earth' is addressing the current conflict in Ukraine, showcasing its profound implications on victims and society. This juxtaposition of past and present conflicts highlights the universal truths of war and artistic expression, demonstrating how artistry can be a vehicle for both understanding and healing in times of turmoil.