Local councils face backlash for lack of public input in sculpture selections

In recent discussions surrounding public sculptures, multiple artists and critics have voiced concerns about the processes involved in selecting sculptors for community projects in the UK. Lucy Branch, a sculptural conservator based in London, emphasized that historically, sculptors often did not strive for accurate depictions of individuals, highlighting a shift in artistic focus in contemporary sculpture. Branch suggested that a more democratic approach should be taken, whereby communities could vote on sculptors and compositions to ensure more engagement with the public's preferences. Sculptor Steve Winterburn has echoed this sentiment, recommending that artists familiarize themselves with the families and friends of their subjects to better capture their true essence, rather than creating lifelike replicas akin to those found in Madame Tussauds. One illustrative example discussed includes the poorly received bronze statue of Harry Kane, which was compared to a comic strip character, demonstrating that accurate representation remains a challenge for many sculptors. Critics such as Rob Pratley have pointed out specific difficulties in sculpture, such as capturing the profile and facial expression accurately. He stressed the importance of getting a good profile right to avoid common pitfalls in sculptural representation, particularly in public art where the sculpture is often viewed up close. Pratley shared a cautionary note on the portrayal of smiling in sculpture, advising that depicting teeth can often lead to unfavorable results, as seen in several public pieces. The emphasis on creating “living” eyes in sculptures is also important since many public sculptures lack vibrancy and connection. Overall, these discussions underscore the myriad challenges sculptors face in creating public art that resonates with audiences, as well as the need for greater public involvement in the selection process to ensure that communities feel represented by the artworks they display. Efforts to revitalize sculpture practices continue as artists navigate the balance between personal artistic vision and public expectation.