Takashi Murakami sparks debate by using AI to recreate ancient painting

In the United Kingdom, Takashi Murakami, a prominent Japanese artist, has created an impressive new exhibition that showcases a blend of traditional and modern artistic techniques. Specifically, this exhibition features a large-scale replica of the famous 17th-century painting 'Rakuchu Rakugai Zu Byobu' by Iwasa Matabei, which currently hangs at the Tokyo National Museum. Murakami's recreation, titled 'Rakuchuu-Rakugai-zu Byobu: Iwasa Matabei RIP,' not only mirrors the original intricate details—such as the bustling life of Edo-period Kyoto—but also incorporates elements characteristic of Murakami's own style, including vibrant flower characters and anime animals scattered throughout the canvas. This innovative approach has sparked conversations about the fusion of classical artistry with artificial intelligence, as Murakami employed AI to fill in gaps and restore the painting with remarkable precision. During the restoration process, Murakami faced challenges with the original work, which had suffered from deterioration over time. Approximately 80% of the original painting remained intact, while the remaining 20% required AI assistance for restoration. The artist detailed this collaborative effort with the AI, where there was a back-and-forth conversation to accurately depict the artwork's missing sections. Despite receiving criticism from some artists who feel threatened by AI potentially overshadowing their craft, Murakami champions the use of technology in art creation. He expressed an optimistic view that as technology evolves, opinions on AI will also shift positively in the future. The use of AI in Murakami's artwork is a testament to the ongoing evolution of creativity and artistic expression. In addition to collaborating with technology, Murakami has utilized a significant team of 30 people to aid in the creation of this multifaceted piece, demonstrating that human effort and advanced technology can coexist in the art world. The exhibition in London marks a significant return for Murakami, as this is his first solo show in the UK in over 15 years, further establishing his influence in contemporary art. In this exhibition, Murakami also pays homage to other Edo-period artists such as Ogata Kenzan, Utagawa Kuniyoshi, Tawaraya Sotatsu, and Kano Eitoku, incorporating various levels of creativity in their works as well. By reinterpreting these classic pieces through a contemporary lens, Murakami not only preserves the cultural significance of traditional Japanese art but also reinvigorates it for modern audiences. This display prompts viewers to reflect on the relationship between technology and artistry, raising questions about the future of creative expression and the role of digital innovation in shaping the landscape of art today.