Sep 14, 2024, 12:00 AM
Sep 14, 2024, 12:00 AM

exploring thai spirit houses at stanford"s cantor arts center

Highlights
  • Aleesa Pitchamarn Alexander and Marci Kwon initiated the Asian American Art Initiative at Stanford in 2018 to address the historical exclusion of Asian American artists.
  • The 'Spirit House' exhibition features works that explore themes of ancestry and spirituality, using Thai spirit houses as a cultural framework.
  • The initiative has significantly enhanced the museum's collection, establishing it as a leading center for Asian American art.
Story

Aleesa Pitchamarn Alexander and Marci Kwon have been instrumental in establishing Stanford University as a significant center for Asian American art. Their initiative, the Asian American Art Initiative (AAAI), launched in 2018, aims to address the historical exclusion of Asian American artists from the narrative of American art. The initiative has gained momentum with the acquisition of over 100 works by various Asian American artists, enhancing the museum's collection and visibility in this field. The exhibition 'Spirit House' is a key component of the AAAI, showcasing how contemporary artists engage with themes of ancestry, migration, and spirituality through the lens of Thai spirit houses. These structures serve as a cultural reference point, allowing artists to explore complex emotional landscapes and the interplay between life and death. The exhibition reflects the artists' deep connections to their heritage and the spiritual dimensions of their work. Alexander emphasizes the importance of intuitive knowledge in art-making, suggesting that many artists draw from experiences that transcend rational understanding. This perspective challenges conventional, data-driven approaches to art and highlights the unique power of artistic expression to evoke profound emotional responses. The exhibition is open until January 26, and admission to the Cantor Arts Center is free, inviting a broader audience to engage with these significant cultural narratives and the transformative potential of art.

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