Shaw Festival presents Chinese dramas to modernize theater

The Shaw Festival, which traditionally focused on plays written during George Bernard Shaw's lifetime, is expanding its programming to include two classical Chinese dramas this season. The productions, 'The Orphan of Chao' and 'Snow in Midsummer,' are adaptations of renowned plays from the Yuan period of Chinese theater, which lasted from 1279 to 1368. This marks a significant shift for the festival, as it embraces works that predate Shaw's era by several centuries. Artistic director Tim Carroll emphasizes the importance of showcasing these two distinct approaches to legendary material, allowing audiences to experience how historical narratives can resonate in contemporary contexts. The inclusion of these plays is seen as a way to bridge the gap between the past and the present, demonstrating the timelessness of storytelling. Nina Lee Aquino, a prominent figure in Canadian theater, has been brought on board to direct 'Snow in Midsummer,' marking her debut at the festival. Her involvement is notable not only for her directorial role but also for the family dynamic, as her husband Richard Lee and their daughter Eponine Lee are both cast in the productions. This familial collaboration adds a unique layer to the performances, highlighting the personal connections within the artistic community. The decision to present these Chinese dramas reflects a broader trend in theater to diversify programming and engage with global narratives. By incorporating these works, the Shaw Festival aims to modernize its offerings and attract a wider audience, ultimately enriching the cultural landscape of the festival and the theater community at large.