Theatre Highlights: Jennie Lee, Fiddler on the Roof, Antony and Cleopatra

This year’s theatrical offerings feature Poppy Hollman’s *Common Ground*, which explores the right to roam, alongside Lindsay Rodden’s musical tribute to Jennie Lee, a significant figure in the establishment of the Open University and a celebrated arts minister during Harold Wilson’s government. The production highlights Lee’s journey from her childhood in Lochgelly, Scotland, to her political achievements, including her election as chair of the Labour Party in 1967. The musical is infused with lively tunes from various instruments, reflecting Lee’s fondness for vaudeville. The play’s subtitle, “the radical MP you’ve never heard of,” belies Lee’s lasting impact, as she was still a notable figure when the author met her shortly before her passing. The production aims to revive her legacy, showcasing her influence and the respect she garnered during her lifetime. In a parallel celebration of change, the 60th anniversary of *Fiddler on the Roof* is marked by a unique set design that embodies the themes of transition and stability. The character Papo, portrayed with a spirit that resonates throughout the performance, adds depth to the narrative, illustrating the emotional complexities of the story. Additionally, a bilingual production of Shakespeare’s *Antony and Cleopatra* features the brilliant deaf actor Nadia Nadarajah in the titular role. This innovative approach enhances the intimacy of the performance, particularly through the use of British Sign Language, although some battle scenes lack finesse. Overall, the production successfully highlights the emotional weight of the narrative.