Michael Craig-Martin Reflects on Art and Risks at Royal Academy

Michael Craig-Martin, now 83, is preparing for his first full British retrospective at the Royal Academy of Art. Reflecting on his artistic journey, he acknowledges a pivotal moment of panic and self-doubt that led to a creative epiphany. This experience shaped his teaching philosophy, which he imparted to his students during his tenure at Goldsmiths College, where he mentored the Young British Artists (YBA) generation, including Damien Hirst and Sarah Lucas. Craig-Martin's career took off in the early 1970s, with significant recognition following his inclusion in the 1972 group show, The New Art, at the Hayward Gallery. His defining work emerged in 1974, marking a landmark moment in conceptual art. Despite his success, he faced personal challenges, including a difficult marriage and a sense of isolation regarding his identity as a gay man in the art world. He retired from teaching in 1988, coinciding with the rise of the YBA generation he had nurtured. Craig-Martin's approach to teaching emphasized the importance of self-initiative in the art world, encouraging students to create their own opportunities rather than relying on galleries. This philosophy fostered a sense of independence and creativity among his students. As he prepares for his retrospective, Craig-Martin reflects on the role of luck in his success and the importance of embracing one's natural artistic inclinations. His journey illustrates the complexities of an artist's life, balancing personal struggles with professional achievements, and highlights the impact of mentorship in shaping the next generation of artists.