Eva Victor’s film exposes failures of institutions while celebrating friendship

In the United States, Eva Victor makes her remarkable filmmaking debut with the film 'Sorry, Baby,' which was released in theaters recently. The story revolves around Agnes, a young professor, who endures a traumatic experience that profoundly affects her life. This pivotal moment occurs in a chapter titled 'The Year With the Bad Thing,' where she faces the repercussions of a rape incident. The film intricately shows how Agnes and her best friend, Lydie, navigate their friendship amid trauma and societal issues, depicting moments of humor that starkly contrast the gravity of their experiences. The characters of Agnes and Lydie showcase a genuine friendship characterized by warmth and authenticity. Their dynamic is revealed in their interactions, such as when they mock a doctor questioning Agnes’ handling of her trauma and criticize the incompetence of the college HR department. Eva Victor imbues the film with originality, creating a narrative that is not just about healing from trauma but also reveals the joyous aspects of relationships. She emphasizes the humor that exists even in the most challenging situations, providing both characters with a refuge amid chaos. Victor's film also serves as a critique of the institutions that often fail victims of trauma. The narrative illustrates how those in positions of authority, such as doctors and HR personnel, lack the necessary empathy and understanding to help survivors. This is evident when Agnes struggles to articulate her experience in a way that feels comfortable, relying instead on her friendship with Lydie as a source of strength. Key moments in the film explore Agnes' desire for her aggressor to understand the pain he has caused, rather than seeking revenge or wishing harm upon him, showcasing her conflict and moral complexity. Overall, 'Sorry, Baby' presents a multi-dimensional portrayal of trauma and recovery, underpinned by the enduring power of friendship. The film aims to shift the conventional narrative around such experiences by highlighting the absurdity and humor present even in dire circumstances. Eva Victor’s approach brings to light the importance of empathy, understanding, and genuine connections as integral parts of the healing process, reminding audiences that while trauma can shape lives, the support of friends can lead to unexpected moments of joy.