Coriolanus Review: David Oyelowo Shines in London Production

In a recent London production of Coriolanus, directed by Lyndsey Turner, David Oyelowo's portrayal of the titular character stands out, particularly in the climactic moments of the play. The production features a striking set design by Es Devlin, which includes stone pillars and museum-grade artefacts that reflect the themes of wealth disparity and historical commemoration. The costumes, designed by Annemarie Woods, add a modern touch, enhancing the visual appeal of the performance. Despite the impressive staging, the emotional depth of the drama is criticized for being lacking. The relationships between Coriolanus and his mother, Volumnia, as well as his wife, Virgilia, are described as distant, failing to convey the necessary emotional tension. The production's pacing and dramatic weight are seen as underwhelming until the pivotal moment when Coriolanus declares his banishment, showcasing Oyelowo's talent. The tribunes, Brutus and Sicinius, provide a contrast with their scheming and humor, adding a layer of complexity to the narrative. The fight scenes are noted for their action-film energy, effectively utilizing light, sound, and projections to create an engaging battlefield atmosphere. However, the swift conclusion of Coriolanus's story leaves audiences with little sympathy for his character. Ultimately, the production is recognized for its stagecraft and visual elements, but it raises questions about the emotional resonance of Shakespeare's work in this interpretation. The balance between style and substance remains a critical point of discussion among viewers and critics alike.