Guillermo del Toro insists on no AI in 'Pan's Labyrinth' restoration
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Guillermo del Toro insists on no AI in 'Pan's Labyrinth' restoration

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Mexican filmmaker and author (born 1964)
American artificial intelligence research organization
multi-genre entertainment and comic convention
  • Guillermo del Toro announced the 20th anniversary re-release of 'Pan's Labyrinth' at San Diego Comic-Con.
  • He confirmed that the film's conversion to 3D was done manually without the use of AI.
  • Del Toro's commitment to preserving the artistry of filmmaking highlights the importance of human creativity.
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In July 2026, Guillermo del Toro attended San Diego Comic-Con to discuss the 20th anniversary re-release of his acclaimed film 'Pan's Labyrinth'. The film, originally released in 2006, is set to return to theaters on October 9, 2026, featuring screenings in 3D and HDR for the first time. Del Toro emphasized his commitment to preserving the artistry of the film by stating that he personally converted it to 3D without the use of artificial intelligence, a decision that was met with applause from the audience. He expressed concern over the impact of AI on the craft of filmmaking, arguing that it threatens the lineage of art and the learning opportunities for future generations of artists. Del Toro's dedication to handcrafting the conversion process reflects his belief in the importance of human creativity in the arts. The re-release will also include a documentary exploring the original film's creation, featuring commentary from notable actors such as Jacob Elordi, Cate Blanchett, and Charlie Day. The film follows the story of a young girl named Ofelia, who escapes the dangers of 1944 Francoist Spain and discovers a fantastical world filled with challenges and mythical creatures. 'Pan's Labyrinth' was a critical and commercial success, earning $83 million worldwide and receiving six Oscar nominations, winning three for its makeup, cinematography, and art direction. Del Toro's recent efforts to restore the film in 4K were met with acclaim at the Cannes Film Festival, where it received a lengthy standing ovation, further solidifying its status as a landmark in cinema history.